Made by MENDOAbout the books
Who will recognize a great book better than a bookstore? A bookstore run by graphic designers. Here’s why: at MENDO we get market feedback seven days a week, we are blessed to be surrounded by a bunch of talented, inspiring people – photographers, writers and publishers – and after being a bookstore for more than 15 years, we can easily say we know what book aficionados are looking for. Don’t you agree that initiating, creating and realizing jaw-dropping books now, only comes natural?
A MENDO publication is a well-designed book with visually stunning creative content, browsed by people to be amazed and inspired. The subject-matter is one of our pre-defined curated categories, fashion, photography, interior, sport, lifestyle, food and traveling. In general, a MENDO book is a piece of furniture in itself.
A multitude of identities and expressions of beauty
Entitled Rhapsody In The Street, A#22 is an academic and visual survey of Grace’s research across 200 pages. Responding to the tradition of Black poetry, literature and portrait photography of the 20th century, the issue features a curation of archival portfolios and other historical ephemera, as well as newly commissioned essays, poems, paintings and portraits. As an object, the issue is treated with reverence, combining matte and gloss paper stocks with gilded pages.
New work includes visual portfolios photographed in Los Angeles, London, Miami, Paris and New York, with the leitmotif of Black portraiture central to each. A self-portrait by Ming Smith joins Steven Traylor’s cinematic capture of the musician Damian Marley, Zoë Ghertner’s intimate depiction of model Selena Forrest, Paul Mpagi Sepuya’s studio works, and a triumphant study of Wales Bonner’s SS2017 collection Ezekiel by Tyler Mitchell.
A#22 is treated as a meandering, encyclopaedic document, including Wales Bonner research plates and archival documentation of Wales Bonner collections in dialogue with new commentary by academics and poets alike.
In collaboration with the Maison Européenne de la Photographie, a landmark fashion series by the Paris-based Cameroonian photographer Samuel Fosso marks Fosso’s return to fashion with a series of self-portraits wearing Wales Bonner archives. The images are included in Fosso’s first retrospective exhibition in France and appear as a limited-edition print edition inserted within each copy of A#22. Each issue contains a single print from “Autoportraits II” by Samuel Fosso. The cover wrap does not indicate which print is inside.
Conversations on the tradition of Jamaican dancehall, the Kamoinge photographic group in Harlem, NYC, and archives of unseen Ghanaian film photography sit alongside paintings and poetry by Lynette Yiadom-Boakye, John Goto’s seminal Lovers’ Rock series complemented by new poems by Roger Robinson, all bookended by opening and closing blessings by Ben Okri.