Made by MENDOAbout the books
Who will recognize a great book better than a bookstore? A bookstore run by graphic designers. Here’s why: at MENDO we get market feedback seven days a week, we are blessed to be surrounded by a bunch of talented, inspiring people – photographers, writers and publishers – and after being a bookstore for more than 15 years, we can easily say we know what book aficionados are looking for. Don’t you agree that initiating, creating and realizing jaw-dropping books now, only comes natural?
A MENDO publication is a well-designed book with visually stunning creative content, browsed by people to be amazed and inspired. The subject-matter is one of our pre-defined curated categories, fashion, photography, interior, sport, lifestyle, food and traveling. In general, a MENDO book is a piece of furniture in itself.
Watson excels in capturing the details seamlessly and probing its myriad depths
KAOS presents a kaleidoscopic overview of Watson’s career to date and the dazzling array of subjects, objects, people, and places he has encountered along the way.
It is a skillfully curated survey of a uniquely diverse, dynamic portfolio. From Watson’s breakthrough portrait of Alfred Hitchcock for the Christmas 1973 edition of Harper’s Bazaar to a 2016 shot of Kanye West, each photograph reverberates with tightly coiled power, tension, and poetry. Whether it’s a portrait of a Las Vegas dominatrix, Elvis’s gold suit, or a street scene in China, Watson excels in capturing the details seamlessly and probing its myriad depths. Along the way, his celebrity portraiture includes the likes of David Bowie, Jay Z, Mick Jagger, Michael Jackson, Jack Nicholson, Steve Jobs, and Andy Warhol.
This remarkable collection is accompanied by an essay from former head of photographs at Christie’s, Philippe Garner, extensive quotes from Watson, as well as dozens of previously unpublished test Polaroids, culled from Watson’s personal archives to provide unique insight into his photographic process and evolution. The result is a defining document of the “photographer’s photographer,” iridescent in its graphic, often cinematic allure, and irresistible in its eclectic glory.