Made by MENDOAbout the books
Who will recognize a great book better than a bookstore? A bookstore run by graphic designers. Here’s why: at MENDO we get market feedback seven days a week, we are blessed to be surrounded by a bunch of talented, inspiring people – photographers, writers and publishers – and after being a bookstore for more than 15 years, we can easily say we know what book aficionados are looking for. Don’t you agree that initiating, creating and realizing jaw-dropping books now, only comes natural?
A MENDO publication is a well-designed book with visually stunning creative content, browsed by people to be amazed and inspired. The subject-matter is one of our pre-defined curated categories, fashion, photography, interior, sport, lifestyle, food and traveling. In general, a MENDO book is a piece of furniture in itself.
Daniel Arsham: Paris, 3020
This book presents a new set of sculptures by Daniel Arsham and the different stages of their manufacture for his exhibition Paris, 3020 presented at Perrotin gallery in Paris. A text accompanies it as well as an interview with the artist by Ludovic Laugier.
The future and the past poetically collide in his haunted yet playful visions between romanticism and pop art
Daniel Arsham’s uchronic aesthetics revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. They are eroded casts of modern artifacts and contemporary human figures, which he expertly makes out of some geological material such as sand, selenite or volcanic ash for them to appear as if they had just been unearthed after being buried for ages.
To create this new body of sculptures, the artist Daniel Arsham tapped into the vast collection of molds produced by the Art Workshops of the RMN – Grand Palais. Using molds of sculptures in the collections of the Louvre and other institutions throughout France, the artist’s studio team worked alongside that of RMN’s statuary-molders in the execution of the works.
Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world.
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