Made by MENDO
About the booksWho will recognize a great book better than a bookstore? A bookstore run by graphic designers. Here’s why: at MENDO we get market feedback seven days a week, we are blessed to be surrounded by a bunch of talented, inspiring people – photographers, writers and publishers – and after being a bookstore for more than 15 years, we can easily say we know what book aficionados are looking for. Don’t you agree that initiating, creating and realizing jaw-dropping books now, only comes natural?
A MENDO publication is a well-designed book with visually stunning creative content, browsed by people to be amazed and inspired. The subject-matter is one of our pre-defined curated categories, fashion, photography, interior, sport, lifestyle, food and traveling. In general, a MENDO book is a piece of furniture in itself.
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Unfolding chronologically with short texts by fashion expert Claire Wilcox introducing each collection, John Galliano: Unseen captures the designer’s mesmerizing creations for his eponymous label (including rich and idiosyncratic details) and the intense backstage work of Galliano’s trusted collaborators. John Galliano’s (b. 1960) ascent in the world of fashion design was swift and filled with acclaim for his bold, quick-witted sensibility and his theatrical flair.
He became head designer for Givenchy in 1995, and then for Christian Dior in 1996, and directed his own fashion label between 1996 and 2011. He was named Designer of the Year at the British Fashion Awards four times. Currently creative director of the Paris-based fashion house Maison Margiela, Galliano has fascinated the fashion world with his often outrageous and whimsical creations, including some of the most memorable collections of the 20th century: from the iconic Suzie Sphinx collection to luxurious and edgy reinventions of Chinese, Peruvian, Yemeni, or Mongolian costumes.
Robert Fairer's long stint as backstage photographer for Vogue gives John Galliano a unique perspective
Robert Fairer’s long stint as backstage photographer for Vogue gives him a unique perspective, and his exquisite photographs of Galliano’s collections, many of which are published here for the first time, offer insights into the extravagance and playfulness of one of the world’s most flamboyant, innovative, and controversial fashion designers at the zenith of his career.
‘There's room for the Gap, but the joy of dressing is an art.’
‘There's room for the Gap, but the joy of dressing is an art.’
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