This landmark publication chronicles Shafran’s commercial and un-commercial approach to photography, with interviews and reflections between Shafran and his peers threaded throughout.
A sensual document of these trying times, Lisa Sorgini’s series of portraits taken during the pandemic render the complex experience of motherhood in shifting shades of light and darkness.
The new IDEA book is Acid House As It Happened by Dave Swindells. A brilliant title for what is already the definitive unofficial visual chronicle of 1988.
How have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation.
Hey shows a selection of personal works from Ilja Keizer, shot over the past five years. It is a study and observation of what a person is willing to show to a stranger in the totally artificial setting of a photoshoot.
Tim Richmond’s elegiac, sombre ode to a coastal stretch of the Bristol Channel poetically weaves together lives hit by decades of austerity and isolation.
Artist Nadia Lee Cohen collected the name badges of 33 unknown individuals. She created personas for them, visualised them and ultimately transformed herself into them. Second edition.